{"id":254,"date":"2015-03-26T17:13:17","date_gmt":"2015-03-26T17:13:17","guid":{"rendered":"http:\/\/library.brown.edu\/brasiliana\/?page_id=254"},"modified":"2016-10-25T18:03:32","modified_gmt":"2016-10-25T18:03:32","slug":"rare-magazines-and-newspapers","status":"publish","type":"page","link":"https:\/\/library.brown.edu\/create\/brasiliana\/rare-magazines-and-newspapers\/","title":{"rendered":"Rare Magazines and Newspapers"},"content":{"rendered":"

\"pasquim\"<\/a> \"Lampiao0\"<\/a><\/em><\/strong><\/p>\n

O Pasquim<\/em><\/a> (1969-1991)<\/strong>
\nAn alternative newspaper featuring political caricatures published during the military dictatorship period. At a time of political repression, O Pasquim<\/em> was known for its critical position vis-\u00e0-vis the regime. It was founded in 1969 by cartoonist Jaguar and journalists Tarso de Castro and S\u00e9rgio Cabral. It became a substitute for the tabloid A Carapu\u00e7a<\/em>. Brown holds numerous issues between 1 and 889 (1969-1986) in hardcopy<\/a> and microfilm<\/a>. More on O Pasquim<\/a><\/em>.<\/p>\n

Lampi\u00e3o da Esquina<\/em><\/a> (1978-1981) <\/strong>
\nOne of the first publications dedicated to the homosexual community in Brazil, published during the repressive military regime. Brown owns a near complete set (0-37), only issues 30 and 36 are missing. More on\u00a0O Lampi\u00e3o da Esquina<\/em><\/a>.<\/p>\n

Opini\u00e3o<\/a><\/em> (1972-1977)<\/strong>
\nLaunched in S\u00e3o Paulo by Raimundo Pereira and Fernando Gasparian in 1972, Opini\u00e3o<\/em> was one of the most influential alternative weekly newspapers during the military dictatorship in Brazil. It was strongly undercut by censorship, and ceased circulation in 1977. It included the Brazilian version of French Le Monde and was secretly funded by the central committee of the A\u00e7\u00e3o Popular (AP) and the Brazilian Communist Party (PC do B). Although translated essays written by foreign authors predominated, Opini\u00e3o<\/em> played an important role as a vehicle of communication between persecuted journalists and intellectuals and their audience. The newspaper pioneered the defense of environmental causes, and projected nationally writers such as Aguinaldo Silva and T\u00e1rik de Souza. Opini\u00e3o<\/em> sold an average of 29 thousand copies weekly.\u00a0Numerous issues were suppressed by the regime. Brown lacks 22\u00a0issues of the 231 published.<\/p>\n

Movimento<\/a> <\/em>(1975-1981)<\/strong>
\nAn alternative weekly newspaper published during the military dictatorship period.\u00a0O Movimento <\/em>was founded in 1975 as the product of internal disputes in the newspaper Opini\u00e3o<\/em>. Following his dismissal from O Opini\u00e3o<\/em> due to a profound distrust of President Ernesto Geisel\u2019s administration, Raimundo Rodrigues Pereira brought together a group of journalists and deputies from the so-called \u201cGrupo Aut\u00eantico\u201d of the PMDB (Partido do Movimento Democr\u00e1tico Brasileiro) to produce a new newspaper. O Movimento<\/em> opted for a popular tone aimed at attracting the Brazilian working class to a wide-ranging front against the dictatorship in Brazil. Representing the nationalist and democratic wing of the Brazilian press, the weekly newspaper was funded by donations and had 334 editions, which circulated nationally until 1981, often through the hands of the Brazilian militant youth. O Movimento<\/em> was owned collectively by its journalists. Fernando Henrique Cardoso, Chico Buarque de Hollanda, Perseu Abramo, and Fernando Peixoto figured among O Movimento\u2019s<\/em> main contributors.\u00a0Brown holds numerous issues published in 1975-1980.<\/p>\n

Versus<\/em><\/a>\u00a0(1975-1979)<\/strong>
\nVersus<\/em> was founded by journalist Marcus Faerman in 1975 as a bimonthly countercultural newspaper focused on Latin America. The newspaper functioned as a platform for political exiles on the continent and viewed culture as a main strategy of political action. As part of its innovative editorial style, it published a section called “Afro-Latino-Am\u00e9rica,” which rapidly became a resistance space for the black consciousness movement in Brazil. Versus<\/em> introduced a new aesthetic pattern in the alternative press: the drawings of Carlos Cl\u00e9men and Grilo, the illustrations of Luis G\u00ea, and the art of Toninho Mendes transformed the newspaper into an artistic object. Brown owns a near complete set.<\/p>\n

Em Tempo<\/em><\/a> (1977-)<\/strong>
\nDistributed by car or bicycle to newsstands, Em Tempo<\/em> was an alternative weekly national newspaper openly supportive of the Partido dos Trabalhadores (Workers\u2019 Party). Product of the experience of the newspaper O Movimento<\/em> and precursor to the Socialist Democracy Bulletin, the paper brought together Trotskist militants who believed in the free organization of workers as a way towards the re-democratization of Brazil. Chico de Oliveira and Raul Pont were its main editors. Em Tempo<\/em> was also a significant tool of articulation of a new political party, the Democracia Socialista. It benefited from the lack of previous censorship, but ended up as a typical party newsletter with circulation around 10 thousand copies. Brown holds numerous issues published in\u00a01977-1980.<\/p>\n

Realidade<\/a><\/em> (1966-1976)<\/strong>
\nA Brazilian magazine that initially followed the New Journalism style of the 1960s, seeking objectivity with a narrative style. Many articles were written in the first person. Due to censorship from the regime and internal differences\u00a0in its editorial board, the style of Realidade<\/em> changed in the late 1960s to become a mainstream news magazine. Realidade<\/em> took another new turn after 1973 when it finally abandoned its investigative journalism facet. Brown owns a complete set.<\/p>\n

Revista do P.M.D.B<\/a> (1981-1990)<\/strong>
\nPublication from the Partido do Movimento Democr\u00e1tico Brasileiro issued by the\u00a0Funda\u00e7\u00e3o Pedroso Horta. Brown owns a few issues published in 1981-1989.<\/p>\n

Klaxon: mens\u00e1rio de arte moderna<\/em><\/a>\u00a0(1922-1923)<\/strong>
\nA modernist journal from\u00a0S\u00e3o Paulo founded\u00a0after the Semana de Arte Moderna in 1922. Nine issues were published through 1923.\u00a0Oswald e M\u00e1rio de Andrade, Gra\u00e7a Aranha, Menotti Del Picchia and Manuel Bandeira were among some of its collaborators. Brown owns a reprint of the original edition.<\/p>\n

Est\u00e9tica: revista trimensal<\/a><\/em>\u00a0(1924-1925)\u00a0<\/strong>
\nA modernist journal from Rio de Janeiro founded in 1924 by S\u00e9rgio Buarque de Holanda and Prudente de Morais Neto. Only three volumes were published. Brown owns a complete set.<\/p>\n

A Mensageira: revista literaria dedicada \u00e1 mulher brazileira<\/a><\/em> (1897-1900)<\/strong>
\nSemimonthly literary magazine from S\u00e3o Paulo dedicated to Brazilian women. Reprint of the original edition with an introduction.\u00a0Also digitized by the National Library of Brazil<\/a>.<\/p>\n

PAN: semanario de leitura mundial<\/em><\/a> (1935-1940)<\/strong>
\nA weekly Brazilian satirical magazine edited by Jos\u00e9 Scortecci. PAN<\/em> focused largely on political events in Europe and outside of Latin America, sourcing and translating foreign press articles into Portuguese. PAN<\/em>\u00a0provided its S\u00e3o Paulo readers with perspectives and information otherwise unavailable in the Brazilian press. Profusely illustrated with photos, drawings, comics and other graphics. Brown owns 24 issues from 1936.<\/p>\n

Bundas<\/em><\/a> (1999-2001)<\/strong>
\nIssues 1-80, June 1999-February 2001. Bound. Complete set. Founded by Ziraldo Alves Pinto a founding member and contributor of Pasquim<\/em> (1969-1991). A satirical magazine focusing on politics during the Fernando Collor de Mello, Itamar Franco and Fernando Henrique Cardoso years. It criticizes the government and upper classes. “Quem mostrou a bunda em Caras<\/em>, jamais mostrar\u00e1 a cara em Bundas<\/em>.” (Ziraldo)<\/p>\n

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O Pasquim (1969-1991) An alternative newspaper featuring political caricatures published during the military dictatorship period. At a time of political repression, O Pasquim was known for its critical position vis-\u00e0-vis the regime. It was founded in 1969 by cartoonist Jaguar … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"sidebar-page.php","meta":{"footnotes":""},"class_list":["post-254","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/pages\/254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/comments?post=254"}],"version-history":[{"count":15,"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/pages\/254\/revisions"}],"predecessor-version":[{"id":405,"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/pages\/254\/revisions\/405"}],"wp:attachment":[{"href":"https:\/\/library.brown.edu\/create\/brasiliana\/wp-json\/wp\/v2\/media?parent=254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}