{"id":1331,"date":"2021-05-01T13:30:00","date_gmt":"2021-05-01T17:30:00","guid":{"rendered":"https:\/\/library.brown.edu\/create\/digitalpublications\/?p=1331"},"modified":"2024-11-08T14:34:03","modified_gmt":"2024-11-08T19:34:03","slug":"trojan-women-in-performance","status":"publish","type":"post","link":"https:\/\/library.brown.edu\/create\/digitalpublications\/trojan-women-in-performance\/","title":{"rendered":"Trojan Women in Performance"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Trojan Women in Performance<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">By Avery Willis Hoffman, Inaugural Artistic Director, Brown Arts Institute, Professor of the Practice of Arts and Classics<\/h3>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/library.brown.edu\/create\/digitalpublications\/wp-content\/uploads\/sites\/86\/2022\/02\/hecuba.jpg\" alt=\"Hecuba and the Trojan women murdering Polymestor\" class=\"wp-image-1368\" width=\"450\" height=\"392\" srcset=\"https:\/\/library.brown.edu\/create\/digitalpublications\/wp-content\/uploads\/sites\/86\/2022\/02\/hecuba.jpg 1000w, https:\/\/library.brown.edu\/create\/digitalpublications\/wp-content\/uploads\/sites\/86\/2022\/02\/hecuba-300x262.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n\n<p>As the classics and the Western Canon endure a new round of decolonization and dismantling efforts, along with the scrutiny of those wishing to make space for a diversity of storytelling and more widely representational literature, ancient works such as Euripides&#8217;s <em>Trojan Women<\/em> (415 BC) offer a veritable platform for interpretation, for splicing and re-imagining, for the insertion of new voices and texts, and for the insistence on fresh perspectives. <em>Trojan Women in Performance<\/em> engages audiences and readers in new and dynamic ways, and will underscore the continued relevance of the play, especially today. This interactive examination of a selection of significant productions, across the 20th and 21st centuries, investigates the ways in which the play provides a unique and effective forum for debating issues of human responsibility in times of war\u2014a central theme in the play and a considerable preoccupation during more than a century of armed conflict. Featuring a flexible format that invites users to explore the content in ways that suit their own learning styles or academic interests, whether chronologically or thematically, <em>Trojan Women in Performance<\/em> opens up new directions of exploration for scholarly and artistic communities.<\/p>\n\n\n\n<p>Learn more about <a href=\"https:\/\/vivo.brown.edu\/display\/ahoffma9\">the author<\/a>.<\/p>\n\n\n\n\t<figure class=\"bul_pl_simple_pullquote\">\n\t\t<blockquote>\n\t\t\t<p class=\"bul_pl_simple_pullquote_content\"> Digital publishing opens up the widest possibilities for us to share a rich set of resources to demonstrate how practitioners have championed Euripides&#8217;s play <em>Trojan Women<\/em> as an innovative, non-conventional canvas of exploration and a searing criticism of war-waging, one of the most important societal issues of our time. Bringing scholars and artists into conversation with each other through these interactive means will highlight further the power of theatre and the arts to make space for difficult conversations and for new possibilities to emerge.<\/p>\n\t\t<\/blockquote>\n\t\t<figcaption class=\"bul_pl_simple_pullquote_attribution\">\n\t\t\t<span class=\"bul_pl_simple_pullquote_author\"> Avery Willis Hoffman<\/span>\n\t\t\t<span class=\"bul_pl_simple_pullquote_label\"> Inaugural Artistic Director, Brown Arts Institute, Professor of the Practice of Arts and Classics<\/span>\n\t\t<\/figcaption>\n\t<\/figure>\n\n\n<p><p style=\"text-align: center; font-size:.9em; margin-top: 0; padding-top: 0; margin-bottom: 0;\">Supported by the Mellon Foundation<\/p><\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/library.brown.edu\/create\/digitalpublications\/wp-content\/uploads\/sites\/86\/2022\/06\/mellon_newlogo_pristine_clearspace_900.png\" alt=\"Mellon Foundation, new logo\" class=\"wp-image-1465\" width=\"225\" height=\"156\" srcset=\"https:\/\/library.brown.edu\/create\/digitalpublications\/wp-content\/uploads\/sites\/86\/2022\/06\/mellon_newlogo_pristine_clearspace_900.png 900w, https:\/\/library.brown.edu\/create\/digitalpublications\/wp-content\/uploads\/sites\/86\/2022\/06\/mellon_newlogo_pristine_clearspace_900-300x208.png 300w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Trojan Women in Performance By Avery Willis Hoffman, Inaugural Artistic Director, Brown Arts Institute, Professor of the Practice of Arts and Classics As the classics and the Western Canon endure a new round of decolonization and dismantling efforts, along with the scrutiny of those wishing to make space for a diversity of storytelling and more <a href=\"https:\/\/library.brown.edu\/create\/digitalpublications\/trojan-women-in-performance\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Trojan Women in Performance<\/span><\/a><\/p>\n","protected":false},"author":96,"featured_media":1346,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-full-width-no-menu.php","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[6,5],"class_list":["post-1331","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-bul_pl_news_card_single","tag-create-dpi-pub-single"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trojan Women in Performance - Brown University Digital Publications<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/library.brown.edu\/create\/digitalpublications\/trojan-women-in-performance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trojan Women in Performance - Brown University Digital Publications\" \/>\n<meta property=\"og:description\" content=\"Trojan Women in Performance By Avery Willis Hoffman, Inaugural Artistic Director, Brown Arts Institute, Professor of the Practice of Arts and Classics As the classics and the Western Canon endure a new round of decolonization and dismantling efforts, along with the scrutiny of those wishing to make space for a diversity of storytelling and more ... 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