The Quintessential G.B.S. : The Arts


George Bernard Shaw
The Quintessence of Ibsenism.
London: Walter Scott, 1891.

This book grew out of a lecture that Shaw delivered to the Fabian Society on July 18, 1890, in a series of lectures on "Socialism in Contemporary Life." It was the first book on Ibsen written in the English language. A revised, second edition, "Now Completed to the Death of Ibsen," published by Constable in 1913, is also in the collection.

This copy is inscribed "To Florence Emery from G. Bernard Shaw." Florence Emery was the actress Florence Farr, who played the role of Blanche in the first production of Widower's Houses. Tipped onto the leaf facing the title page is an early photograph of Shaw.

Sidney P. Albert -- George Bernard Shaw Collection


George Bernard Shaw
The Perfect Wagnerite: A Commentary on The Ring of the Niblungs.
London: Grant Richards, 1898.

It was Shaw's firmly held view that it was not possible to appreciate Wagner's works without understanding them. To that end he wrote this book, as he wrote in his Preface, "to impart the ideas which are most likely to be lacking in the conventional Englishman's equipment. I came by them myself much as Wagner did, having learnt more about music than about anything else in my youth, and sown my political wild oats subsequently in the revolutionary school."

Sidney P. Albert -- George Bernard Shaw Collection

 


George Bernard Shaw
"A Degenerate's View of Nordau."
Liberty, New York, July 27, 1895.

In this letter to Liberty editor and publisher Benjamin R. Tucker, Shaw attacked Max Nordau's book Degeneration, shown below. When his German translator asked him to revise it for publication, Shaw asked Holbrook Jackson to issue it as a pamphlet. It became The Sanity of Art, published in 1908.

Sidney P. Albert -- George Bernard Shaw Collection


George Bernard Shaw
The Sanity of Art: An Exposure of the Current Nonsense about Artists being Degenerate.
London: The New Age Press, 1908.

Sidney P. Albert -- George Bernard Shaw Collection

 


George Bernard Shaw
Draft Letter to Millionaires to be Sent Personally by G. Bernard Shaw enclosing the official documents.
Typescript, carbon copy, [London, 1907]

As stated in the body of the text, this letter was drafted to be sent to "a very small number of rich and influential public men in England who realize the enormous national importance of the theatre and the hopelessness of trusting to commercial competition to make the best of it."

Sidney P. Albert -- George Bernard Shaw Collection

 


George Bernard Shaw
Statement of the evidence in chief of George Bernard Shaw before the Joint-Committee on Stage Plays (Censorship and Theatre Licensing).
[London]: Printed privately, July [1909].

The text of this pamphlet was incorporated into Shaw’s preface to The Shewing-up of Blanco Posnet, published in 1911. This is one of the great historic statements against censorship.

Sidney P. Albert -- George Bernard Shaw Collection

 


George Bernard Shaw
Bernard Shaw on Modern Typography.
Reprinted from The Caxton Magazine, London.
Cleveland: Horace Carr at The Printing Press, 1915.

Shaw concludes this piece on typography as follows: "For--and this is the moral of what I have been saying--well-printed books are just as scarce as well-written ones; and every author should remember that the most costly books in the world derive their value from the craft of the printer, and not from the genius of the author. I have seen a bestiary, or mediaeval natural history, the worthless compilation of a childish liar, purchased for £800 in a city where the works of Shakespeare sell for tenpence halfpenny. And if you want to buy a Shakespeare for £60, you must bid for one of the volumes of his sonnets which Morris printed at the Kelmscott Press."

Sidney P. Albert -- George Bernard Shaw Collection


[George Bernard Shaw]
London Music In 1888-89 As Heard by Corno Di Bassetto (Later Known as Bernard Shaw) With Some Further Autobiographical Particulars.
London: Constable and Company Limited, [1937].

This copy is inscribed "To the very irreverent William Ralph Inge as a subject for an essay to be entitled What Would I Have Been Like Had I Been Brought Up Like Shaw? 5th Oct. 1937." The Very Rev. William Ralph Inge was Dean of St. Paul’s, London.

Sidney P. Albert -- George Bernard Shaw Collection

 

 

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