Bashir, Shahzad. “Designing History for the Web: A Digital Book Report,” History and Theory: Studies in the Philosophy of History, Theme Issue: Digital History (December 2022).

Gagliardi, Susan E. and Constantine Petridis. “Mapping Senufo: Reframing Questions, Reevaluating Sources, and Reimagining a Digital Monograph,” History in Africa: A Journal of Debates, Methods, and Source Analysis 48 (2021), pp. 165-209.

Gagliardi, Susan Elizabeth. “Mapping as a Method to Transcend Colonial Assumptions,” in The Routledge Companion to Digital Humanities and Art History, ed. Kathryn Brown (Routledge, 2020).

Levy, Allison and Sarah McKee. Multimodal Digital Monographs: Content, Collaboration, Community (2022).

Smith, Kylie. “Decision Making in Digital Publishing,” in Jim Crow in the Asylum: Psychiatry and Civil Rights in the American South (Manifold edition).

Turner, Nicole Myers. “Note from the Author about the Digital Humanities and This Book,” in Soul Liberty: The Evolution of Black Religious Politics in Postemancipation Virginia (UNC Press, 2020; Fulcrum edition).

Fischer, Beth and Hannah Jacobs, eds. Visualizing Objects, Places, and Spaces: A Digital Project Handbook.

Design Justice Network. “Design Justice Network Principles” (living document, summer 2018): https://designjustice.org/read-the-principles

Morris, Peter. “A Brief History of Project Management.” The Oxford Handbook of Project Management. (Feb. 2011). DOI: 10.1093/oxfordhb/9780199563142.003.0002

Maxwell, John W. et al. “Mind the Gap: A Landscape Analysis of Open Source Publishing Tools and Platforms” (July 2019).

Smith, Kylie. “Why I Chose Open Access and Manifold,” in Jim Crow in the Asylum: Psychiatry and Civil Rights in the American South (Manifold edition).

Delmont, Matthew F. “Introduction,” in Black Quotidian: Everyday History in African-American Newspapers (Stanford University Press, 2019).

Liebhaber, Samuel. “Born to be Digital?” in When Melodies Gather: Oral Art of the Mahra (Stanford University Press, 2018).

Humphreys, Alex et al. “Reimagining the Digital Monograph: Design Thinking to Build New Tools for Researchers,” The Journal of Electronic Publishing (June 2017).

Mulliken, Jasmine. “Anatomy of a Landing Page,” supDigital Blog (Oct. 2018).

Paul, Elsie et al. “Our Process: Making This Book,” in As I Remember It: Teachings from the Life of a Sliammon Elder (University of British Columbia Press, 2019).

Digital.gov. An Introduction to Accessibility.

Greenberg, Jonathan, K. Hanson, and D. Verhoff. Guidelines for Preserving New Forms of Scholarship (NYU Libraries, 2021).

Mulliken, Jasmine. “Intentionally Blurring the Line between Production and Preservation,” supDigital Blog (July 2019).

Mulliken, Jasmine. “Three Approaches to the Preservation of Interactive Scholarly Works,” supDigital Blog (Aug. 2018).

WebAIM. Introduction to Web Accessibility.

Williams, George H., “Disability, Universal Design, and Digital Humanities,” in Debates in the Digital Humanities (2016). 

Blain, Keisha and Dawn Durante. “On Writing the Book Proposal,” Black Perspectives (March 2017).

Sundaram, Friederike. “Recommendations for Evaluating Digital Project Submissions,” supDigital Blog (Aug. 2018).

As I Remember It: Teachings (Ɂəms tɑɁɑw) from the Life of a Sliammon Elder by Elsie Paul with Davis McKenzie, Paige Raibmon, and Harmony Johnson (University of British Columbia Press, 2019). 

Black Quotidian: Everyday History in African-American Newspapers by Matthew F. Delmont (Stanford University Press, 2019).

The Border of Lights Reader: Bearing Witness to Genocide in the Dominican Republic, edited by Megan Myers and Edward Paulino (Amherst College Press, 2021)

Constructing the Sacred: Visibility and Ritual Landscape at the Egyptian Necropolis of Saqqara by Elaine A. Sullivan (Stanford University Press, 2020).

Cut, Copy, Paste: Fragments from the History of Bookwork, by Whitney Trettian (University of Minnesota Press, 2021).

Feral Atlas: The More-than-Human Anthropocene by Anna L. Tsing et al. (Stanford University Press, 2020). 

Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618) with Scholarly Commentary by Tara Nummedal and Donna Bilak (University of Virginia Press, 2020). 

i used to love to dream, by A.D. Carson (University of Michigan Press, 2020).

Jim Crow in the Asylum: Psychiatry and Civil Rights in the American South by Kylie M. Smith, forthcoming from the University of North Carolina Press in 2023. 

The Lab Book: Situated Practices in Media Studies by Darren Wershler, Lori Emerson, and Jussi Parikka, a work in progress by the University of Minnesota Press.

Lightning Birds: An Aeroecology of the Airwaves by Jacob Smith (University of Michigan Press, 2021)

A Mid-Republican House From Gabii, edited by Rachel Opitz, Marcello Mogetta, and Nicola Terrenato (University of Michigan Press, 2020).

Music on the Move by Danielle Fosler-Lussier (University of Michigan Press, 2020)

A New Vision for Islamic Pasts and Futures by Shahzad Bashir (MIT Press, 2022)

Radical Roots: Public History and a Tradition of Social Justice Activism, edited by Denise D. Meringolo (Amherst College Press, 2021)

Shadow Plays: Virtual Realities in an Analog World by Massimo Riva (Stanford University Press, 2022).

Social Media, Social Justice and the Political Economy of Online Networks by Jeffrey Layne Blevins and James Jaehoon Lee (University of Cincinnati Press, 2021).

Soul Liberty: The Evolution of Black Religious Politics in Postemancipation Virginia by Nicole Myers Turner (University of North Carolina Press, 2020). 

Sounding Spirit: Scholarly Editions from the Southern Sacred Music Diaspora, edited by Jesse P. Karlsberg, forthcoming from the Emory Center for Digital Scholarship and the University of North Carolina Press in 2023. 

Vidding: A History by Francesca Coppa (University of Michigan Press, 2022)

Over the course of the 2022 Institute, generous and generative conversations yielded a more extensive list of resources based on this cohort’s interests. Search by date/course unit or category.