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Border Assemblages

the Moria migrant camp in ruins

Border Assemblages: Re-collecting Moria by Yannis Hamilakis, Joukowsky Family Professor of Archaeology and Professor of Modern Greek Studies Merging scholarship and activism, this project focuses on the largest migrant-refugee camp in Europe, Moria, located on the island of Lesvos in Greece, in what is effectively a borderline between the Global South and the Global North. Border Assemblages

Going through the Motions

women holding a child and balloons

Going through the Motions: Animations of Black Being in the Breaks by Rebecca Louise Carter, Associate Professor of Anthropology and Urban Studies Going through the Motions: Animations of Black Being in the Breaks is a meditation on Black death and its transformation, exploring the shift to Black aliveness in both scholarly work and everyday practice. A Going through the Motions

In Networked and Programmable Media

work table with several reading lamps, each trained on a piece of paper

In Networked and Programmable Media: Language Art with Personal Computation by John Cayley, Professor of Literary Arts In Networked and Programmable Media: Language Art with Personal Computation will feature over fifty of the pioneering author’s works in “language art with computation,” dating from the late 1970s — when personal computing began to be possible — down In Networked and Programmable Media

The Chisolm Massacre

Judge William Wallace Chisolm

The Chisolm Massacre: Reconstruction and the Politics of Violence by Christopher Grasso, Professor of History The Chisolm Massacre: Reconstruction and the Politics of Violence is a case study at a hinge moment in American history: 1877, when the nation backed away from its first great experiment in racial justice. In a small town in Kemper County, The Chisolm Massacre

Articulations: Dancing Across Modernities

Delaunay self-portrait

Articulations: Dancing Across Modernities by Michelle Clayton, Associate Professor of Hispanic Studies and Comparative Literature Articulations: Dancing Across Modernities, by Michelle Clayton, Associate Professor of Hispanic Studies and Comparative Literature, explores the place of dance as image and practice in the early twentieth century. Tracing the ways in which painters, poets, filmmakers, and critics turned Articulations: Dancing Across Modernities