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Border Assemblages

the Moria migrant camp in ruins

Border Assemblages: Re-collecting Moria by Yannis Hamilakis, Joukowsky Family Professor of Archaeology and Professor of Modern Greek Studies Merging scholarship and activism, this project focuses on the largest migrant-refugee camp in Europe, Moria, located on the island of Lesvos in Greece, in what is effectively a borderline between the Global South and the Global North. Border Assemblages

Articulations: Dancing Across Modernities

Delaunay self-portrait

Articulations: Dancing Across Modernities by Michelle Clayton, Associate Professor of Hispanic Studies and Comparative Literature Articulations: Dancing Across Modernities, by Michelle Clayton, Associate Professor of Hispanic Studies and Comparative Literature, explores the place of dance as image and practice in the early twentieth century. Tracing the ways in which painters, poets, filmmakers, and critics turned Articulations: Dancing Across Modernities

Rehearsal Is at Dawn

a bright embroidered design on dark fabric

Rehearsal Is at Dawn by Eleni Sikelianos, Professor of Literary Arts Rehearsal Is at Dawn, by Eleni Sikelianos, Professor of Literary Arts, is a multivalent, multimodal ancestral encounter that reaches into realms of Sapphic translation, activism, performance of antiquity, queer histories, and utopian politics. In 1901, my great grandmother, Eva Palmer, moved from New York Rehearsal Is at Dawn

Anticolonial Practice and the Image Archive

display case with a jacket, pair of pants, and a red garment on hangers, alongside a folded blue-striped blanket

Anticolonial Practice and the Image Archive: Notes on the Art of Writing Indian History By Vazira F-Y Zamindar, Associate Professor of History How does one consider formations of art and history through a colonial archive that has been systematically organized under the sign of counter-insurgency, an archive that is meant to anticipate, discredit and destroy Anticolonial Practice and the Image Archive