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  • Book and Photography Talk — Brown University: An Architectural Tour (The Campus Guide)

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    The Campus Guide: Brown University, An Architectural Tour
    The Campus Guide: Brown University, An Architectural Tour

    The Brown University Library and its Library Advisory Council invite the Brown community and members of the public to a book talk about the recently published Brown University: An Architectural Tour (The Campus Guide). Friday, May 2 at 4 p.m. in the first floor presentation space of Rhode Island Hall, author Raymond P. Rhinehart ’62 and photographer Walter Smalling, Jr. will discuss the new Guide, describing the process of creating and collecting these illustrious images and chronicling the depth and breadth of architectural styles at home on the Brown campus. A Q&A session and book signing will follow the lecture. Copies of the book will be available for purchase on site.

    Organized by nine campus walks that bring readers along diverse, lively tours of the notable structures, the Guide offers practical information about the buildings on campus as well as insights into architectural styles by era with a healthy dose of Brown University and Ivy League history. Readers and attendees of the lecture will enjoy Rhinehart’s poetic style and Smalling’s stunning photographs. David Brussat, the architectural reporter for the Providence Journal, calls the book “An elegant guide to Brown’s campus.” Both the book and the talk will enrich and deepen one’s knowledge and estimation of College Hill and will appeal to architectural buffs, East Side residents, and members of the Brown community alike.

    Raymond P. Rhinehart

    Ray Rhinehart studied English literature at Brown and graduated magna cum laude in 1962. He received his Ph.D. from Princeton in 1969. After teaching at the University of Virginia and Virginia Commonwealth University, he pursued post-doctoral studies at the University of North Carolina, Chapel Hill. While in North Carolina, Rhinehart performed curating work for the Virginia Museum, served as fine arts editor for the Richmond Mercury, reported on fine arts for NPR, published poems and essays in the Christian Science Monitor, and wrote a play on American history that was performed at the Virginia Museum.

    After moving to Washington, DC and spending four years as an adjunct lecturer at American and George Washington Universities, Rhinehart was appointed as Director of Media Relations for the American Institute of Architects (AIA) in 1980. In 1987 he was named Vice President of the American Architectural Foundation, then in 1999 he returned to the AIA as Senior Director of Special Projects. He was made an Honorary Member of the AIA in 1994. He is the author of Princeton University: An Architectural Tour (The Campus Guide) as well as Brown University: An Architectural Tour (The Campus Guide). Music is Rhinehart’s deepest passion, and he sings with the Cathedral Choral Society in Washington, DC, where he lives with his partner of 34 years, photographer Walter Smalling, Jr. They also share a home in Penobscot, Maine.

    Walter Smalling, Jr.

    After receiving a Bachelor’s degree from the University of South Florida in art history and design in 1973, Walter Smalling, Jr. received a two-year grant from the National Endowment of the Humanities to preserve and create an exhibition of a historic photo collection. While working on this project, he was asked by a local preservation group to take photos of an endangered building. It was then that he discovered “old buildings” and his passion for architectural photography was born. He became a freelance photographer for the National Trust for Historic Preservation and the National Register of Historic Places. That was followed by a staff photographer position for the National Park Service’s historic preservation branch, during which time he traveled the world and wrote three books for the Service, including the first book ever written specifically on Shaker architecture.

    Currently, Smalling works as a freelance photographer for major architectural firms, magazines, government agencies, book publishers, museums, and corporations worldwide. He has provided the photographs for fifteen books published by Rizzoli, Hearst, Crown Publishers, Princeton Architectural Press (including five college architectural guides), West Virginia University Press, and the New York Times. He is currently working on four books: one on the Shakers, a book on “Gentleman Farms of Virginia,” a book on the White House complex, and another on stone houses of the Shenandoah Valley. In addition to photography, Smalling also paints and owns an art studio in Penobscot, Maine.

    Date: May 2, 2014
    Time: 4 p.m.
    Location: Rhode Island Hall, on the College Green, 60 George Street

  • Preservation Week Lecture by Elisabetta Polidori: Miracles of Mary

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    Elisabetta Polidori
    Elisabetta Polidori

    In honor of Preservation Week, Elisabetta Polidori, the Samuel H. Kress Fellow in Paper Conservation at the Northeast Document Conservation Center (NEDCC), will give a talk about the technical examination and conservation treatment of an Ethiopic illuminated manuscript located at the Brown University Library, Ta’amera Maryam (Miracles of Mary), one of the most popular of Ethiopian texts. The talk will take place Wednesday, April 30 at 2:30 p.m. in the Patrick Ma Digital Scholarship Lab (DSL), located on the first floor of the Rockefeller Library. This event is free and open to the public.

    The Miracles of Mary is a collection of miraculous tales, some composed in Ethiopia, some composed by Christians in Egypt, some composed in Europe, but all translated into Geez, the language of the Ethiopian Church around A.D. 1400. In the mid-fifteenth century the reading of three of these tales was required during each Sunday liturgy as well as on feast days dedicated to Our Lady Mary.

    Polidori received her M.A. in Conservation of Paper and Parchment from the Opificio delle Pietre Dure of Florence in 2006, and in the same year she obtained a B.A. in Art History from the University of Florence. She gained extensive experience in the conservation and treatment of paper-based artifacts, working in private practice and public museums around the world. After graduation she started a long collaboration with the Pitti Palace Museum of Florence, Italy, for the conservation of its collection of Chinese paintings. From 2008 until 2011 she worked in the paper conservation department of the National Gallery of Victoria, Melbourne, Australia. Subsequently, she served as Postgraduate Conservation Fellow at the Freer & Sackler Galleries, Smithsonian Institution, and the Claire W. and Richard P. Morse Fellow for Advanced Training in Paper Conservation at the Museum of Fine Arts of Boston. She is currently the Samuel H. Kress Fellow in Paper Conservation at the Northeast Document Conservation Center. The NEDCC is the first independent conservation laboratory in the United States to specialize exclusively in the conservation and preservation of paper-based collections. Polidori is specialized in the treatment of Western artworks on paper and has a strong interest in the conservation of Asian and Islamic art. She is a member of the American Institute for Conservation of Historic and Artistic Works (AIC).

    Date: April 30, 2014
    Time: 2:30 p.m.
    Location: Patrick Ma Digital Scholarship Lab, Rockefeller Library, 10 Prospect St.

  • Untrusted Connection Problems with EZProxy – April 24, 2014

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    The Library is experiencing problems with EZProxy. When logging in, you will see an “insecure connection” warning message for many of our databases. If you are on-campus, remove the phrase “revproxy.brown.edu” from the URL and go directly to the database. If you are off-campus and attempting to get access to the database via EZProxy you will see the untrusted connection warning. It is OK to go ahead and click-through to the database, or use the VPN client instead.

    The problem has been escalated a level at EZProxy, and we are doing all we can to get this issue resolved as quickly as possible. We apologize for the inconvenience.

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