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Exhibit | Works from “A Global History of Art & Architecture”
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A course with Professors Sheila Bonde and Lindsay Caplan
Examine models and artwork created by students in Sheila Bonde’s and Lindsay Caplan’s lecture course, “A Global History of Art and Architecture”, which presents art, architecture, and material culture from cave paintings to installation art. The works exemplify forms studied in the class.
Dates: December 20, 2018 – May 31, 2019
Time: John D. Rockefeller, Jr. Library Hours
Location: John D. Rockefeller, Jr. Library, 10 Prospect Street, Providence -
Exhibit | Entwined: Botany, Art and the Lost Cat Swamp Habitat
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The exhibit showcases the rich history of art and science in Providence and provokes you to consider the consequences of environmental change on local biodiversity. Premiering original watercolors of plants by Edward Peckham together with matching specimens from the Brown University Herbarium, collected by William Bailey and others, explore the lost Cat Swamp habitat of the Wayland and Blackstone neighborhoods on the East Side.
This exhibition is the collaborative work of the Brown University Herbarium, Rhode Island Historical Society (RIHS), Rhode Island Wild Plant Society (RIWPS), and John Hay Library.
Opening reception: Thursday, January 10th, 4-6 PM
Dates: January 10 – April 30, 2019
Time: John Hay Library Hours
Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence -
Announcement | New Project Selected for Brown’s Digital Publications Initiative
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Shahzad Bashir, Director of Middle East Studies, Aga Khan Professor of Islamic Humanities, and Professor of Religious Studies The Office of the Dean of the Faculty and the University Library, together with the Digital Publications Advisory Board, are pleased to announce the selection of the next long-form scholarly work to be developed under Brown’s Digital Publications Initiative.
Islamic Pasts and Futures: Horizons of Time, by Shahzad Bashir, Director of Middle East Studies, Aga Khan Professor of Islamic Humanities, and Professor of Religious Studies, probes the functioning of time as an aspect of human experience. It focuses on Islam, understanding it as an element of human imagination made real in an illimitable array of physical objects and linguistic traces. Attending to this evidence instantiates Islam’s entwining in stories of human lives over more than fourteen centuries. Relying on theoretical discussions from fields such as philosophy of history and anthropology, historiography, and cultural, visual, and literary studies, Professor Bashir asks that we look beyond the commonplace view of Islamic history that is predicated on seeing time as a one-way stream. Rather, ‘Islamic time’ is a vast matrix of ‘present’ moments that fold pasts and futures into themselves. Artifacts of human endeavor, such as texts, paintings, buildings, and so on, are symptoms of these presents that contain diverse understandings of selves and the world. For materials pertaining to Islam—produced by Muslims and non-Muslims alike—analytical horizons connected to time generate new frames for comprehending Islamic phenomena.
The Digital Publications Initiative, generously funded by the Andrew W. Mellon Foundation, is establishing an infrastructure to support the development and publication of scholarly works that incorporate the capabilities of digital tools and technology to advance theory, method, and argument. Editorial and digital development of these works is supported through the University Library for eventual review and release by academic presses that are increasingly publishing digital monographs. Anchored in the University Library and the Office of the Dean of the Faculty, this initiative extends the University’s mission of supporting and promoting faculty scholarship, while also helping to advance digital scholarship in the humanities.
In addition to Islamic Pasts and Futures: Horizons of Time, by Shahzad Bashir, current digital scholarly publications supported under this initiative include Italian Shadows: A Genealogy of Virtual Reality, by Massimo Riva, Professor of Italian Studies; Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618) with Scholarly Commentary, by Tara Nummedal, Professor of History, and Donna Bilak of Columbia University; and The Sensory Monastery: Saint-Jean-des-Vignes, by Sheila Bonde, Professor of History of Art and Architecture and Professor of Archaeology, and Clark Maines, Professor Emeritus of Art History at Wesleyan University.
To learn more about Brown’s digital scholarly publication program, please visit the Digital Publications Initiative website, or contact Allison Levy, Digital Scholarship Editor (allison_levy@brown.edu).