Fashioning Insurrection

From Imperial Resistance To American Orientalisms

About the Exhibit

Combat Scenes of Greek War of Independence

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George Bayly (attr. artist, 1808–88)
Lithograph and watercolor, c. 1828–35
Brown University Library, Anne S. K. Brown Military Collection


These small lithographs feature character types from the armies participating in the Greek War of Independence. Possibly intended for a book, each hand-colored figure appears captured in action on a black-and-white background. Lithography held a special place among artists as the print technology that could capture strokes akin to the handmade movements of a pen or brush. The technology facilitated reproduction in multiples, which helped to quickly disseminate images of revolution to a wide array of consumers. The process required drawing upon a chemically treated stone with fat, wax, or a greasy crayon. The stone was then bathed in acid to etch the ungreased areas, allowing them to retain water when moistened. The greased areas would repel water but cling to ink, thus transferring designs to paper when pressed. Once the print had dried, the printer, colorist, or owner could add hand-colored pigments to accentuate costume details of the figure.