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We Cannot Remain Silent

We Cannot Remain Silent

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  • We Cannot Remain Silent
  • Chapters
    • Introduction: Imagining Brazil in the United States
    • Chapter 1: Revolution and Counterrevolution in Brazil
    • Chapter 2: The Birth of a Movement
    • Chapter 3: The World Turned Upside Down
    • Chapter 4: Academic and Artistic Freedom
    • Chapter 5: The Campaign Against Torture
    • Chapter 6: Latin Americanists Take a Stand
    • Chapter 7: Human Rights and the Organization of American States
    • Chapter 8: Congressional Questioning
    • Chapter 9: Denouncing the Dictatorship
    • Chapter 10: Performing Opposition
    • Chapter 11: The Slow-Motion Return to Democracy
    • Conclusions: Making a Difference
  • Capítulos
    • Prólogo: Era um país subdesenvolvido
    • Capítulo I: A gente quer ter voz ativa
    • Capítulo II: “Caminanho e cantando e seguindo a canção,”
    • Capítulo III: Agora Falando Sério
    • Capítulo IV: “Acorda amor”
    • Capítulo V: “Vai meu irmão”
    • Capítulo VI: “Pode me prender, pode me bater”
    • Capítulo VII: “Fado Tropical”
    • Capítulo VIII: “While my eyes go looking for flying saucers in the sky”
    • Capítulo IX: “Navegar é preciso”
    • Capítulo X: “Quem é essa mulher?”
    • Capítulo XI: “Amanhã hã de ser outro dia”
  • Biographies

Correspondence Between Lois Bingham and Francisco Matarazzo

  • 1) Matarazzo to Bingham, “..we hope to count upon your help.” May 13, 1969.
  • 2) Bingham to Matarazzo, “You must know how sorry we are about the turn of events for the United States and Bienal.” August 4, 1969.
  • 3) Bingham to Alan Fisher, “I was disturbed to learn…that my letter of August 4 to Mr. Matarazzo was the first word officially received by the Bienal.” August 28, 1969
  • 4) Bingham to Matarazzo, “He regrets, as I do, that the United States will not have a representative exhibition at the Bienal this year.” September 19, 1969.
  • 5) Bingham to Matarazzo, “…considering the wide range of problems we all face in our efforts to provide pertinent national contributions to the ever increasing number of international art exhibitions.” November 5, 1969.